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(a) フェミニズムに関するもの
Jones, Kathryn Blair Logwood, Shakespeare's veiled women: icons for the problem of female ambiguity, (1990). 930.28||Sh||Jok
Oakes, Elizabeth Thompson, Heiress, Beggar, Saint, or Strumpet : the widow in the society and on the stage in early modern England, (1990). 930.2||Oa4||He
Chang, Hsiao-hung, Transvestite sub/versions: power, performance, and seduction in Shakespeare's comedies, (1990). 930.28||Sh||Ch=Um
Porter, Susan Speer, Domination and Dissent: Gendered Duality and Patriarchal Authority, (1995). MF||189||17
Blaha, Susan Sally, "You should be women": Constructions of Femalesexuality in Shakespare's Tragedies, (1995). MF||189||26
Kano, Ayako, Action Like a Woman in Modern Japan: Gender, Performance, Nation, and the Roles of Kawakami Sadayakko and Matsui Sumako, (1995). MF||189||27
Davies , Lindsay C., Neither Maid, Widow, nor Wife: Gender, Drama, and Society, (1995). MF||189||28
Park, Yoon-hee, Rewriting Woman Evil?: Antifeminism and Its Hermeneutic Problems in Four Criseida Stories, (1995). MF||189||32
Sedinger, Tracey, Epistemology of the Crossdresser: Sexual Policy in Early Modern England, (1995). MF||189||43
Conway, K. M., Material girls: gender and property in Shakespeare, (1995). MF||189||51
Stirm, J.C., Representing Woman's Relationships: Intersections of Class, Race, and Generation in English Drama, 1580-1642, (1995). MF||189||54
Senapati, Sukana Behura, Wenches, Wives, Widows, Whores, and Witches: Representations of Woman and Discourses of Gender Identity in the Plays of John Marston, (1995). MF||189||55
Zambon-Palmer, Angela, Character Conceptions of Shakespeare's Cressida in Major Twentieth-Century Productions, (1995). MF||189||11
Bly , M., The invitation to sensuality : development in the rhetoric of desire from 1590 to 1610 in Shakespeare and other..., (1995). MF||189||45(930.25||B62||In)
Chamberlain, Stephanie Ericson, "How Came That Widow In": The Dynamics of Social Conformity in Sidney, Marlowe, Shakespeare and Hooker, (1995). MF||189||47